BEYOND STORIES NOW IN PAPERBACK!

Over the past couple of years I’ve made fifteen of my science fiction and fantasy short stories available in affordable e-book form (the e-anthologies Disastrous!, Body Of Opinion and other stories plus the series Beyond: The Stars, Beyond: Time, and Beyond: Technology, can all be purchased through my bookstore). But I know that a lot of readers are still devoted to physical books. So I decided to gather all of those 15 stories into one tasty paperback.

BEYOND: Stories Beyond Time, Technology, and the Stars is now available to buy through Amazon and other online retailers. Your favourite independent bookstore can also order it through the book distributor Ingram. It’s 362 pages of thoughtful and imaginative fiction that I think any SFF fan will love, but one thing I didn’t include (and maybe that was a mistake) was an Afterword explaining how each story came about. Lots of readers enjoy those—I do too.

So here, for what it’s worth, is a brief look at the stories and my reflections on them.

“No Walls”: This wasn’t my first story sold but it was the first one to make it into publication, in the Canadian magazine Neo-opsis Issue #18, so it will always have a special place in my heart. I even named my publishing company after it (lots of wider meaning, after all). As a fan of H.G. Wells’ The Invisible Man, I hit on the variation of a man who suddenly gains the ability to walk through walls. But what real benefit could such a gift provide, except to a criminal? Or a secret operative. The story was rejected by editors a few times, and I realized that it needed to be darker, grittier. So if you’re squeamish, I apologize for the torture scenes, but without high stakes there’s no high drama!

“Shakedown”: My first science fiction novel manuscript is an SF thriller called The Primus Labyrinth, inspired by the 1966 movie Fantastic Voyage about a submersible and crew shrunk to microscopic size to travel through the bloodstream of a scientist and save his life. I don’t think shrink rays will ever be possible, so I wanted a more realistic way such an adventure could take place. My novel is very different from the movie, and my literary agent is currently gauging interest among publishers. But I originally considered self-publishing it, and thought that getting a prequel story published would help promote the novel. “Shakedown” is that prequel, about my prototype nanoscopic submersible and its first pilot, and the question: could a human mind ever cope with reality at a microscopic level? It was published in the anthology Canadian Tales of the Fantastic (2011).

“The Long Commute”: Most time travel stories focus on going back to a single momentous event and putting all of history at risk. But what if time has a kind of inertia instead, and it takes many small changes to have an impact on the timestream? Would there be people whose job was to do that every day? I was intrigued by the possibilities of  mixing a mind-bending concept with a daily routine. I also borrowed a character’s name from the family of a US president at the time, but then decided that a more overt link would be too corny.

“Lockdown”: It’s a huge expenditure of resources to support criminals in prisons, but the public must be protected. The answer? A device that temporarily paralyzes a parolee if he or she even thinks of committing another crime. Mind you, that would put the criminal at the mercy of passersby, and I have a feeling that could get ugly (as the story shows). That was the focus when I first wrote “Lockdown” but, as with “No Walls”, there needed to be more drama. So I threw in a dash of revenge for seasoning.

“A Taste Of Time”: This one could not be more different from “Lockdown”. It’s a contemporary fantasy story about an old woman with sad memories and a cheerful young girl with an insatiable craving for wild blueberries. I’ve spent many happy hours picking wild blueberries myself and, knowing that the bushes can pick up flavours from the soil and surroundings (as wine grapes do), I speculated about what other things such berries might impart. The story was not only published by On Spec magazine (#88 vol 24 no 1 June 2012) accompanied by a feature author interview, but, to my delight, was also chosen for On Spec’s 25th Anniversary anthology Casserole Diplomacy and Other Stories. Talk about being in great company!

There are ten more stories in the collection and I'll write about them in a few days. In the meantime, go to Amazon or Barnes & Noble, or in Canada to Chapters/Indigo or Amazon.ca. Or if you're devoted to an indy bookstore, ask them to order it through the book distributor Ingram. Enjoy!

WHAT WOULD YOU DO IF YOU COULD WALK THROUGH WALLS?

People always ask writers where we get our ideas. There must be as many answers to that question as there are writers. No—scratch that. There might be as many answers to that as there are stories. Because each story is different and comes to us in a slightly different way.

My story “No Walls” is the only one I can remember that sprang from one line. The first line of the story. Suddenly it was there, in my head: I almost died the first time I learned that I could walk through walls.

Along with that first line came the basic premise: the main character can sometimes, for some reason, walk through walls. Of course, some of the walls of a structure are exterior walls, and if you’re on the thirteenth floor of an office building, that’s not a good wall to walk through. So he almost dies, taken off guard by this sudden ability.

Neither a first line, nor a basic premise, do a story make. SF writers have to come up with a basic concept, then extrapolate for all its worth to make an actual story. As the narrator of the story says, “What would the average person do with a ‘gift’ like mine? Is it good for anything but larceny?” I guess that depends on what kind of person you are before getting the gift. It also could depend on who finds out about your gift and what ideas it gives them. Clearly, the dark direction I took with the premise must say something about me.

It also struck me that a man with the power to ignore barriers would actually be trapped by that ability. And hopefully you’ll see the many ways that occurs when you read the story.

I want to take this opportunity to thank Gerard Houarner of Space and Time Magazine because, although he rejected “No Walls”, he gave me his reasons for doing so. There will be a special place in Heaven for all editors who take the time to do that! He was right—I made some changes, and my very next submission, to Neo-opsis Science Fiction Magazine, the story was bought. It became my first published story in Issue 18 of Neo-opsis in December of 2009. For that reason it holds a special place in my estimation. I hope you like it, too.