PERSONAL PROGRESS WHILE THE WORLD'S ON HOLD

By now, no one expects anything very “normal” from the year 2020. The past few months have seen me spending most of my time building and doing repairs on the cabins and sheds of the property where I live. That might be normal for some, but I’m a writer for a reason—the only power tool I’m proficient with is a computer! Each day is like a new comedy of errors.

Outside my little domain the world at large is still turning, but in fits and starts. I’m sure parts of your life feel “on hold” while the coronavirus pandemic rages. Even so, things happen. Developments arise.

A lot of the interesting stuff in my life and career recently is thanks to my longtime writer friend Mark Leslie Lefebvre (who writes as Mark Leslie). He’s been keeping me busier than I’d otherwise be, first by recruiting me to be the narrator of his A Canadian Werewolf In New York series, which includes not only the full novel of that name, but also the origin story One Time Around and the sequel novella Stowe Away. They relate the adventures of Michael Andrews, bestselling author and transplanted Canadian in the Big Apple who also happens to be a werewolf, which gives him superhuman abilities in the days around a full moon. When Mark decided to produce new editions of the stories, including audiobook versions, I was happy that he thought of me. Mind you, I was a career radio show host for more than 30 years, and I’ve recorded lots of audiobook-related material. Along with my current writing career, I work as a freelance voice talent.

Mark was not only thrilled by the result but inspired to knuckle down and finish writing the next book in the series. As a lifelong voice talent and book lover, narrating audiobooks is a perfect fit for me, and I urge you to check out Mark’s stuff. (http://markleslie.ca/bibliography/) He’s also publishing another anthology of short fiction called Obsessions from some great writers, and I’ve narrated a couple of stories for it too.

But the voice work wasn’t our only collaboration. Mark and I are both from the city of Sudbury in Ontario, Canada, and both of us learned a lot about writing from fellow Sudburian Sean Costello, a writer of internationally successful horror and thriller fiction often compared to Stephen King. Last month Mark came to us with the brilliant idea of publishing a small collection of stories from the three of us. It’s a treat (no trick) for me to be published with these friends and talented writers, and just in time for Halloween too. Strange Sudbury Stories features ghosts, monsters, and the supernatural, as well as some dark science fiction tales from me. It’s now available in ebook format, with print editions coming any day now (http://books2read.com/strangesudburystories), and if I know Mark, he probably has an audiobook version in mind.

Recording audiobooks for Mark has shamed me into recording audio versions of some more of my own work, so the first example is an audiobook edition of my three-story anthology called BEYOND: The Stars: three exciting stories of space travel.

A solo pilot in deep space risks losing his sanity when his ship is invaded by disembodied thoughts.

A marathon runner on a dangerous desert planet discovers that it may not be uninhabited after all.

The crew of a survey ship encounters a powerful being with an injury that will test their every belief.

Previously only available as an e-book, you can now listen to BEYOND: The Stars in your car, on your bike, or wherever you like. It’s in the pipeline and will be available any day now wherever you buy your audiobooks.

All of this hasn’t left me much time to write, but I have sent a novel manuscript off to my frequent editor in the hope that we can whip it into shape for publication in 2021. I don’t know about you, but I see way too much writing that’s just plain bad because the authors didn’t work with an editor. So I refuse to do that, even though it means I can’t crank out half a dozen books a year. I hope you’ll feel that my books are worth the wait. The SF-thriller The Primus Labyrinth is available everywhere and is being compared to Michael Crichton’s work (one of the greatest compliments you could give me). The next one is an alien contact tale that’s almost like a superhero origin story. I can’t wait for you to see it.

In the meantime, I can’t say I’m looking forward to Winter, but at least the snow will bring an end to my construction attempts and give my battered thumbs a rest!

NEWS EVERY WRITER WANTS TO HEAR

It’s been a good week. On Tuesday I was told that my first novel had been accepted for publication. On Thursday I signed the contract.

My novel Dead Air isn’t science fiction—it’s a story about a morning radio show host who’s life is already falling apart when he begins to suffer harassment from an unknown source. As nasty pranks escalate into outright attempts on his life, he struggles to cope with the threat and find out who wants him dead. Before they succeed!

I wrote the novel while I was hosting a radio morning show myself, and the scenario is plausibly unnerving. It’s going to be published by Scrivener Press of Sudbury, Ontario, Canada, a small press that does good work and has high standards. Scrivener Press is also the publisher of my friend and mentor, Sean Costello. It’s a perfect fit for Dead Air because the novel is set in Sudbury. The only downside is that Dead Air won’t be released until the fall of 2012, so you (and I) have a long year to wait before we can hold a copy in our hands.

On Sunday I was gratified to learn that my short story “Once Upon A Midnight” has been accepted for the upcoming anthology In Poe’s Shadow from Dark Opus Press. It’s a dark-humour story inspired by Edgar Allan Poe, about a woman having relationship problems while she’s working at a storage and research centre for deadly bio-agents. I’m not sure when that anthology will see print. There’s a chance you’ve already read the story—I had it available for download here on the website, but I’ve taken it down as a courtesy to the folks at Dark Opus. Now you’ll have to buy the book.

I’ve been meaning to make audio versions of my free stories available on this site for some time, and I finally got around to recording my story “No Walls”. So now you can read it online, download a PDF version, or listen to the MP3 recording. The audio is in two parts, available from the “No Walls” page. I hope you enjoy it.

Yes, it’s been a good week. Now if I only had time to get some writing done!

Does A New Year Make A Difference?

At the change of the year it’s the tradition to examine the past twelve months and develop a new strategy for the next dozen, in the form of New Years Resolutions. I’ve never gone into that in a big way. If there’s something I think needs to be changed in my life I don’t wait until January 1^st. Every day is just as valid as any other for the beginning of a new me.

So how do writers evaluate the past and plan for the future? Especially somebody just getting a career rolling?

For me, 2010 was a productive year in terms of the amount of material I created—I finished a first draft of a novel, polished another, completely rewrote a third (an earlier work), and began a fourth. Plus I wrote at least a half-dozen short stories. But it wasn’t so productive in terms of publishing credits. I only sold one fiction piece during the year. (Thank heaven I’m not counting on that income for survival!) Instead I aimed higher—I took a shot at the bigger, hardest-to-crack markets, reasoning that they’d be more impressive publishing credits when it comes time to solicit interest in my novel-length work. For my daring, I got some encouraging rejections from some of the most influential editors in the biz. Close, but no cigar.

So what should I resolve to change?

Thanks to some tips from Robert J. Sawyer, I’ve already begun to strive for more deeply meaningful stories, with significant themes. Writers like Sean Costello have taught me how to polish and cut and trim and polish some more. Each time a story is rejected it goes back under the knife for reconstructive surgery, to some degree. I’ve also taken greater pains to ensure there’s a real scientific basis to my SF stories. It didn’t help them sell.

As other writers before me have noticed, there’s been a shift—in the short fiction markets, at least—toward well-written stories with striking prose and SF-style premises, but no real science backing them up. In that sense they’re reminiscent of Ray Bradbury’s fiction. Don’t get me wrong—Bradbury was a terrific writer, and I’m a fan. But at the risk of sounding like I’m crying sour grapes, I think having the whole genre skew that way is unfortunate.

So will I change my style? Chase the markets? Aim lower, just to see my stuff posted on somebody else’s website?

I don’t think so.

I will crack those big markets. I will get an agent, and a book deal (though maybe not in that order). I think 2011 will be the year.

Come along. It should be a good ride.