THE CASE FOR CONFERENCES

Lots of writers are members of writing groups or larger organizations. Based on my own experience, relatively few attend annual conferences, retreats, and extended workshops. After all, once you factor in the registration fees, accommodation, food, and travel costs, they can be expensive. And they may require you to take time off from your ‘day job’. All good excuses to beg off and stay at home. So why should you go to a writers conference?

This past weekend, I took in the Canadian Authors Association’s annual CanWrite conference in Grand Bend, Ontario. Although I wasn’t there for the full retreat (a new element this year), the participants benefitted from the wisdom of award-winning short-story writer Sandi Plewis and highly-successful novelist Barbara Kyle in half-day workshops, plus shorter seminars from the likes of New Media specialist Dawn Boshcoff, writer/trainer Lynne M. Smelser, and freelance editor Jodie Renner. They heard the perspective of small press publisher Anne Judd, and independent bookstore owner Mary Brown. They picked up tips from fellow CAA members like Ben Nuttall-Smith, Jean Kay, Robert W. Mackay, Bernice Lever, Anthony Dalton, and Matthew Bin. And that’s just the organized presentations. So obviously one reason to attend conferences is the number and variety of educational opportunities they offer. Every writer wants to improve their craft. I don’t plan to stop learning until the day I die (in fact, hopefully the next level of existence will be really interesting, too!)

But equally important and valuable is the companionship conferences offer. I think every writer needs to regularly spend time surrounded by other writers, if only to keep our sanity. No-one else has a clue about the writing experience: the heartaches and the joys, the madness and the inspiration. Not friends; not family. Only other writers can really give you the encouragement and support you need to continue in such a daunting path—and it’s just plain enjoyable to be around them.

A third reason is to support organizations (like the CAA) that support you and your career, with information and a broad range of services. They also give a strong voice to the writing community, something that certainly becomes important when big issues come up (like the Copyright Bill C-32).

Let’s not forget that most writers have other jobs and hectic lives, and a retreat or conference can kick-start your creative juices again—think of it as life-giving medicine for your career, ignored at your peril. But a getaway like that can also be a reward, and you deserve it. Writing is a lonely and difficult pursuit. In the case of this weekend’s conference, Grand Bend is a beautiful spot, and the people at the Pine Dale Motor Inn were terrific hosts, highly recommended.

Start out small, if you have to—find a conference or retreat or multi-day workshop close to home and try it out. Your career will thank you. You might even be able to say goodbye to your shrink.

 



SOCIAL SCIENCE ON THE FINAL FRONTIER

Last week I had the pleasure of attending my first-ever academic conference: “Social Science on the Final Frontier” at Laurentian University in Sudbury, Ontario. Academic types presented scientific papers about subjects relating to SF, from comparisons of stories involving criminal rehabilitation using time travel, to the ins and outs of Community Economic Development in Space. Conference organizer David Robinson proposed that Science Fiction might be considered a true social science, and also analysed the economics of a space mining colony (it doesn’t add up without cheap and very fast transportation, meaning that such colonies would almost certainly result from political policy rather than business interests). Co-organizer Alain Boulay reminded everyone that we do a disservice to science when we portray scientists as stereotypical fanatics and obsessives—science is done by real people, with hard work and dedication.


I found myself drafted (very willingly) into the role of “chauffeur to the stars”, which meant that I got to spend extra time with old acquaintance Robert J. Sawyer and delightful new friends Julie E. Czerneda and her husband Roger. Rob gave an informative talk about an SF Writer’s View of the Social Sciences and an even more informative workshop on “How To Write Science Fiction”. I’ll give more detail on that workshop in a future post. Julie gave convincing proof that SF is a great tool in the classroom, and offered a very informative 2-part workshop with tips and resources for the subject.


Without disparaging anyone’s papers, my favourite part of the conference was the chance to hang out with Rob and Julie as well as the other writers and SF fans in attendance. Networking like that is the highlight of most conferences and scheduling should always provide lots of opportunities for it.


The conference suffered some hiccups from a) being a first effort, and b) taking place in mid-August, but it was still very worthwhile, and I congratulate and thank the organizers for bringing it to life. I hope it’s just the first of many more to come.